thisbluespirit: (eatd - clare)
I've been doing this series of gifsets on tumblr for a very long time now. I've been meaning to crosspost them ever since. I'd (ironically) just drafted up one such post shortly before I accidentally deleted my whole tumblr that time in 2018 or whenever it was, and if I'd been faster about it, I wouldn't have completely lost some of them. Anyway, I've been meaning to finally get around to it, and today I went out so am ill and was thinking that I want to magically have a post to post and it should be about James Maxwell in some way and also probably this episode because it is a go to tired-episode. And then, I realised, that that was entirely doable for once.

[These are no longer in the original order, because the whole deletion thing wrecked that anyway. Format = tumblr gifset + original blurb. This, as you can probably tell from the gifs, was one of the earlier ones - originally no. 5/?]




Original post here on tumblr.


Favourite Episodes of old telly: Enemy at the Door 1.10 "Treason" (London Weekend Television, 1978). (Written by Kenneth Clark; dir. Jonathan Alwyn.)

We fought, he said, and you were not there; cut for gifs )

Perhaps more a favourite episode rather than best (but then ‘best’ in Enemy at the Door would include all the spoilery, continuity-heavy episodes, so let’s go with my odd choice here, why not). I just appreciate hugely an episode of TV that’s all about people feeling sidelined, bored, trapped, frustrated and despairing to varying degrees. Chiefly, it focuses on Major General Laidlaw (Joss Ackland), his spirit being slowly eaten away by inactivity and small humiliations and the visiting grandee, Generalmajor von Wittke (James Maxwell) - Laidlaw’s brother-in-law - who is, as it turns out, just as trapped as everyone else.

Enemy at the Door s1 on the Internet Archive | Treason at YouTube.




(I still love this episode. It is a strange one, and the writer's style is circular and repetetive, which I can see would not be everyone else's cup of tea, but it works for me. Jonathan Alwyn's direction is reliably great, and I like the constant understated background sound of the storm that underpins most of the episode. I still appreciate so much an episode of TV which explores the inability to do things, and revolves around something that doesn't and can't happen, and the unspoken implications of what consequences will follow. I wrote fic for this, and there is so much detail in the stated backstories of the two main guest characters that make them inverted mirrors of each other in ways that are fascinating and muddy the morality even further than is immediately apparent in the episode. Also James Maxwell wants to kill Hitler and Richter and Freidel finish up with a knowing Julius Caesar reference. ("He is an honourable man. They are both honourable men!") EatD knows how to make me happy, or certainly cathartically sad in all the right ways.)

(This is not the best one of these sets to begin with, because it's an episode that probably nobody but me would list as a favourite. Except maybe [personal profile] hyarrowen, but idk if that was just because I went on and on about and then wrote fic. But when I'm ill, I just want to talk online about "Treason" and this once, I actually can!)
thisbluespirit: (eatd - clare)
I keep forgetting to get around to reposting my icons from tinypic and photobucket, but [personal profile] kateoftheangels was asking after this Clare one, which reminded me, so this is the first of two old icon reposts, one for Enemy at the Door and a giant one for Public Eye to follow. There are a lot, so forgive me if I don't number them or order them as logically as I would usually try to. Please note: fairly obviously, contains images of WWII German uniforms.

Teaser:


Why are you so afraid of ideas? )
thisbluespirit: (aal - georgie)
1. [personal profile] persiflage_1 just linked me to this Dec 1977 London Weekend Television promo pic, and I'm so strangely charmed to see Emily Richard, Bernard Horsfall, and Alfred Burke standing together (they must have started work in some shape on Enemy at the Door,) and yet all smiling and happy and not at all war-worn and sad. (I want that AU, please. :lol:)


2. I finished my epic quest to gif an awful lot of the 1968 Thames TV Dracula over at tumblr and am now (via the queue) posting the final, collected character and ship editions - [personal profile] calliopes_pen, I actually have done a Jonathan one! (Be proud of me. <3)

But if you want to understand why Dr Seward is so hopeless at fighting vampires, here's his photoset, complete with quote that explains that in one sentence. :-D


3. Pers also pointed out that Big Finish were doing Adam Adamant Lives! audios next year, but I looked at the page and got as far as learning that it didn't involve the original actors and the line "And to his rescue comes history enthusiast and would-be novelist Georgina Jones" and ran away. I mean, yes, of course make Georgie more pro-active in a reboot by all means, but if you want an Edwardian Adventurer & Gent culture clash with a with-it 1960s girl, making her a bookish historian instead of a DJ is, er, not the way to do it.

Besides, Georgie would be so horrified at the mere idea of that description! As would Adam, for different reasons. And Simms would never let her live it down. There would be limericks. I'm tempted to write fic. (But not the limericks.) ETA: I'm going to be laughing a lot at that line every time I think of it...
thisbluespirit: (james maxwell)
Earlier this year when I watched Manhunt and Doomwatch, I planned to do this sort of primer for both (and for all my old things!), because I like doing them, they hopefully explain the obscure things I'm on about & they may even be useful. And then I did Manhunt, but was slow to screencap Doomwatch and then decided there was no point in posting things like that. Which is just silly, and, in short, here is my best stab at a guide to Doomwatch and why you might even want to watch it, if you don't mind beige TV!

(The fandom_manifesto tag below will take you to the others of these I've done so far, although I see that Photobucket ate the pics from the Enemy at the Door one.)

Anyway, welcome to the future. It probably wants to kill you...

Doomwatch


Doomwatch was a BBC drama series that ran from 1970 to 1972, created and script-edited by Gerry Davis and Kit Pedler (who invented Doctor Who's Cybermen) and produced by Terence Dudley.

It focused on the Ministry of Security's Department of Observation and Measurement of Scientific Work, nicknamed 'Doomwatch' (which is what the team also name their computer) as they investigated possible dangerous side-effects of new scientific discoveries from plastic-easting viruses to killer rats to the dangers of DDT and lead in petrol, often having an eerily prophetic tendency to predict the headlines and sparking more than one debate in parliament. According to the Cult of Doomwatch, when Channel 5 tried to revive the series with a modern version, they got some scientists to give them cutting-edge ideas for storylines... and found that all of them had been covered by the original.

Doomwatch was headed up by Nobel prize-winning mathematician and phyisicist, Dr Spencer Quist, backed by Dr John Ridge (a chemist who had worked for MI6), Colin Bradley (the down-to-earth, Northern (TM) computer specialist and general dogbody), young chemist Tobias (Toby) Wren and the secretary, Pat Hunnisett.

So, Our Heroes vs Whitehall and unethical scientists + real issues & science and environmental crusading + an occasional edge of horror = the cult phenomenon that was Doomwatch.

You've done the impossible; now don't try and do the intolerable )
thisbluespirit: (james maxwell)
To start at the end, as it were, before I forget everything. The theme for this week in my old telly adventures seems to have mainly been Bad Stuff Happening to Planes.*

Ransom, Secret Army & Department S )
thisbluespirit: (b7 - deva)
A while back, [livejournal.com profile] hyarrowen and I were clearly having like thoughts on Major Richter & Dr Martel-related hurt/comfort, and I finally got my idea to work. So, for [livejournal.com profile] hyarrowen, [community profile] trope_bingo square "hurt/comfort" and [livejournal.com profile] hc_bingo square "accept injury to protect someone," and set post-canon somewhere in the winter of 1944/45:


Invisible Incident (2461 words) by lost_spook
Chapters: 1/1
Fandom: Enemy at the Door (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Philip Martel & Dieter Richter
Characters: Dieter Richter, Philip Martel, Olive Martel
Additional Tags: Post-Canon, World War II, Minor Injuries, Community: hc_bingo, Community: trope_bingo, Hurt/Comfort
Summary: Oberst Richter has not been shot; there was no bullet.
thisbluespirit: (b7 - deva)
Some Enemy at the Door fic, written for Hyarrowen, who wanted something to do with the Atlantic Wall and who shares my appreciation of Martel and Richter (and Committee Man!). I don't know if this was what was wanted, as it's mainly Martel & Richter discussing some consequences of the Wall for the Islands, but it's what I came up with:

Waiting For the Sky to Fall (1218 words) by lost_spook
Chapters: 1/1
Fandom: Enemy at the Door (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Philip Martel & Dieter Richter
Characters: Philip Martel, Dieter Richter
Additional Tags: Vignette, World War II, Starvation, Post-Canon, Stealth Friendship
Summary: Autumn 1944, and the situation on Guernsey grows ever more bleak, but there's always some slight consolation to be had, if you look for it hard enough.
thisbluespirit: (cat)
The commentfest continues! And talking of obscure and British things...

As threatened, a 'trailer' of sorts for ITV's 1978-80 WWII drama, Enemy at the Door. I made this as an experiment, because I thought I'd solved my issues with sound-editing on my vidding software. Guess what? I haven't, so this is not entirely a success - there are some sound issues, especially at the start, and it was getting worse with every edit. You may take it as read that I'm not doing anything else like this in a hurry. Still, that's what experiments are for, yes?

However, that said, it is still better than anything Network or Acorn have bothered to do for it and maybe it will explain something of why I like it so much. Or just bore everybody, I'm not sure at this point. Inevitably, there are some spoilers (especially for 1.13), but hopefully not too bad out of context (& not beyond 2.1 because Network wouldn't let me rip 2.2-2.13).

Enemy at the Door Trailer )
thisbluespirit: (dw - amy)
I made various icons for NaArMaMo, but halfway through the month, I started on an utterly pointless large set for Enemy at the Door. (NaArMaMo is just for having fun and experimenting, so I did.)

Teaser:

Image and video hosting by TinyPic Image and video hosting by TinyPic Image and video hosting by TinyPic


A lot of people need help - they don't know how to fight or even what to fight sometimes )
thisbluespirit: (cat)
I said I'd made a post about Enemy at the Door, and here it is. (I'm thinking of doing some more fandom manifesto type posts for old TV I've watched, because they're fun and possibly even useful, if only to inform people of things to avoid. :-D)

So, what is it? Enemy at the Door is a 1978-80 UK drama series about the German Occupation of the (British) Channel Islands in WWII, focusing on Guernsey (and the fictional Martel family). It stars Alfred Burke, Bernard Horsfall and Simon Cadell with Antonia Pemberton, Emily Richard, Simon Lack, John Malcolm, Richard Heffer, Helen Shingler and David Waller. It was created and script-edited by Michael Chapman, produced by Tony Wharmby and written by Michael Chapman, James Doran, NJ Crisp, Kenneth Clark and John Kershaw. There are 2 series of 13x 50 min episodes (26 in all). It is out on DVD (definitely in Regions 1 &2); it is not on YouTube at the moment, though. (It was repeated on Yesterday, a freeview channel here in the UK last year, so it may get another turn.)

If you're not keen on old UK TV, then this obviously isn't for you. If, however, you are, and you are interested in well-written, well-played, low-key drama, WWII generally, or what happened to the Channel Islands in particular, then it may well be. Sadly, it was cancelled before they reached the end of the War, but what there is of it is well worth watching. Also, while it was shown pre-Watershed over 30 years ago (so there's very little they can actually show in terms of blood, violence etc.), it does deal with a lot of difficult subjects (very well generally): execution, imprisonment, depression, multiple suicide attempts, shooting, murder, possible rape, and beatings/interrogations.

Why, you may ask, especially after that cheery list of warnings? Well, it depends. If you want a lot of action and battles and other such fast-moving set-pieces, again, it's not going to deliver. But it explores its historical subject pretty accurately and also takes advantage of that situation to explore the ethical dilemmas of occupation from both sides with subtlety and intelligence and three-dimensional characters, and that's what's so great about it.

You chaps have commandeered my kitchen! )
thisbluespirit: (hdh - not quite right)
I'm sure other Classic DW fans will be sorry to hear that Bernard Horsfall has died (1930-2013). (Gulliver, Taron in Planet of the Daleks, Goth and another Time Lord, or Goth unnamed, who knows?)

:-(

And I'm sad, because, as I said a couple of posts ago, I can't get Enemy at the Door (1978-1980) out of my head and he played the main character among the Islanders, Dr Philip Martel. He was every bit as good and reliable and real as he always seemed in his guest Doctor Who roles and it was great to see him in a major part. And he really was exceptional in the storyline that bridged S1 and S2. (I can't explain properly without spoiling that bit. And Enemy at the Door really is worth watching, and worth watching relatively unspoiled, so I won't do that.) But he was great. It was hard to come back down to episode-of-the-week after watching the way he and Alfred Burke (and others, but particularly those two) played that out between them.

*salutes sadly*

Profile

thisbluespirit: (Default)
thisbluespirit

January 2026

S M T W T F S
    1 23
4 5678910
11121314151617
18192021222324
25262728293031

Syndicate

RSS Atom

Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jan. 7th, 2026 02:10 am
Powered by Dreamwidth Studios