thisbluespirit: (s&s - s&s)
[personal profile] thisbluespirit
Following on from how much I got hung up on a 1984 radio production of Dangerous Corner, I did take some steps to continue by J B Priestley experience by listening to a 1994 production of Time and the Conways, another of his 'Time Plays'. I spotted this one on the wiki and managed to find it at Radio Echoes. It had Stella Gonet, Amanda Redman & Toby Stephens in it, and it was adapted and directed by Sue Wilson, who did at least two of the Christmas at the Wells installments I thought were so good.

(There's also a 1984 version here starring Zena Walker; and a 2014 version here with Harriet Walter. Apparently the BBC are only permitted to perform it in years ending with a -4?? ;-p)

Anyway, generally, I'm not regretting my decision to continue, but right at the end of the second third (Act?) of it, two characters had a conversation that included this:

"...it’s hideous and unbearable. Remember what we once were and what we thought we’d be... Every step we’ve taken, every tick of the clock — making everything worse. If this is all life is, what's the use? Better to die... before you find it out, before Time gets to work on you. I’ve felt it before, but never as I’ve done to-night. There’s a great devil in the universe, and we call it Time.... We've seen it to-night. Time beating us."

and: "No, they're real and existing, just as we two, here now, are real and existing. We're seeing another bit of the view – a bad bit, if you like – but the whole landscape's still there."

And I was just... omg, J B Priestley effectively laid out part of the premise of Sapphire and Steel right there in 1937.


I haven't stopped listening to Crown House; I was just interspersing the odd SNT in between. I am about to get back to it, as we left it at a point where Richard Pasco might even possibly be persuaded to leave the roses alone and have some plot, but I don't count on it. XD


(I did distract myself a bit because Welcome to Our Village Please Invade Carefully s2 is now on BBC Sounds again, after them repeating s1 in the autumn. So a head's up, anyone listening to it that way and left hanging for s2. It's here! And obv. could not resist listening to "Tempting Fete" and now the next episode is up... and a person can't help but press that play button every now and then. (It's the pub quiz one now.) It is such a cheering thing. <3<3<3)

Date: 12 Feb 2024 07:00 pm (UTC)
persiflage_1: Blue headphones (Blue headphones)
From: [personal profile] persiflage_1
(There's also a 1984 version here starring Zena Walker; and a 2014 version here with Harriet Walter. Apparently the BBC are only permitted to perform it in years ending with a -4?? ;-p)

So there should be another performance this year, then?!

Hooray for fascinating radio plays!

Date: 12 Feb 2024 07:03 pm (UTC)
theseatheseatheopensea: Fernando Pessoa drinking in a Lisbon tavern. (Em flagrante delitro.)
From: [personal profile] theseatheseatheopensea
And I was just... omg, J B Priestley effectively laid out part of the premise of Sapphire and Steel right there in 1937.

Ohh! Another author possibly involved in Elemental activities! Nice! Is it just authors with names starting with P, though? Because in this conversation, we were talking about Pessoa as someone who might also be Elementally inclined!

Date: 12 Feb 2024 08:42 pm (UTC)
theseatheseatheopensea: Lyrics from the song Stolen property, by The Triffids, handwritten by David McComb. (Default)
From: [personal profile] theseatheseatheopensea
And, heh, idk, although Philippa Pearce on time and memory in Tom's Midnight Garden is another one! But then again, Alison Uttley handles a very similar premise in A Traveller in Time and she doesn't begin with a P. Possibly she had to get a non-P dispensation to be allowed to do it? XD

XD XD XD And also Penelope Lively! Clearly, there's a time-related thing going on in children's literature too!

Date: 12 Feb 2024 08:50 pm (UTC)
theseatheseatheopensea: A drawing of a fox and a magpie hugging. (Fox and magpie.)
From: [personal profile] theseatheseatheopensea
ETA: Oh, and there is Penelope Farmer's Charlotte Sometimes to add to the collection.

I haven't read that one, but now I want to!

Date: 12 Feb 2024 09:29 pm (UTC)
lurking_latinist: Romana in Shada, reading, edited into a library (romana reading)
From: [personal profile] lurking_latinist
In an (I think) similar vein, I recently read Nancy Bond's A String in the Harp (and was shocked and saddened that nobody had given it to me when I was a child).

Date: 12 Feb 2024 09:44 pm (UTC)
sovay: (Rotwang)
From: [personal profile] sovay
It's not at all surprising that S&S was originally conceived as children's TV, because it's very children's TV & lit 1970s in its concept, really.

Lucy Boston's The Stones of Green Knowe (1976), whose protagonist slips back not only farther into the past, but into the future which is the rest of the series.

Date: 13 Feb 2024 11:28 pm (UTC)
sovay: (Rotwang)
From: [personal profile] sovay
Yes, and while I hate to bring up William Mayne (because of what he turned out to be later), Earthfasts and its 70s TV adaptations would certainly go in the same box with the rest of these.

Reservations understood. I read him as a child; I read all of these books. They were the sort of thing I liked. It happens.

(I actually didn't read Uttley's A Traveller in Time, but everything else mentioned in this conversation, even if not for some years now. Ruth Park's Playing Beatie Bow. Perfect training for Sapphire & Steel.)

Date: 13 Feb 2024 03:19 am (UTC)
luthien: (Default)
From: [personal profile] luthien
JB Priestley is an interesting writer with a very specific perspective on time and place - but apparently also time more generally, going by that quote!

I just happened to get hold of the TV production of Lost Empires the other day. I watched it when it aired in the 80s, and remembered it for more than just its cast, which included a very old Laurence Olivier and a very young Colin Firth.

Re-visiting it after all this time will be quite the experience.

Date: 13 Feb 2024 02:04 pm (UTC)
luthien: (Default)
From: [personal profile] luthien
Alun Armstrong would be very good casting for something like that. I hope you enjoy it.

I read Lost Empires and also The Good Companions, but a long time back. I've always liked the Alistair Sim film of An Inspector Calls, and I saw a pretty major stage revival of it in Sydney in the mid-90s that might have been a touring British production (the big reappraisal of Priestley started around then beginning with the Stephen Daldry interpretation of An Inspector Calls, anyway). Can't remember for sure now, but it was really interesting to see a modern interpretation of a work like that.

Date: 13 Feb 2024 11:29 pm (UTC)
sovay: (Claude Rains)
From: [personal profile] sovay
I just happened to get hold of the TV production of Lost Empires the other day. I watched it when it aired in the 80s, and remembered it for more than just its cast, which included a very old Laurence Olivier and a very young Colin Firth.

Whoa.

(I second the Alastair Sim An Inspector Calls.)

Date: 13 Feb 2024 02:47 pm (UTC)
liadt: Close up of Fujiko Yamamoto on left with flower pattern on right (Sapphire no Steel)
From: [personal profile] liadt
Heh, very S&S! Sounds like you're getting lots of audio listening done.

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